Now comes the part where you use any finger available or open string to try and grab the bass note of the chord on (lets say) beat one of every measure – WHILE playing that lyrical loving melody.ĭon’t go for chord shapes. Many fingerstyle players do not pay enough attention to this. No matter how incredible your “arrangement is” – if you leave out the crafting and playing of a great melody – your arrangement will fall flat on it’s face. Get that melody sounding as much like the original as possible – or as close to your intention.
Yes, syncopations and exact phrases are hard to figure out….but don’t cop out! Oh – and are you playing the rhythmic accents exactly where you what them? Listen to your own playing with your heart – not your head. Make the choice that sounds better, sings and will move the heart – rather than the easy and convenient one. Make it sing…break all the rules your teacher told you.įor example, does it “sound” better on the B string, but is it easier on the E string? This is your starting point – play a melody with no accompaniment.
Girl from ipanema guitar tab fingerstyle trial#
Grab this course FREE in the Study With Adam 14 day Trial They all touch the heart and have “love” woven in an ingredient. None of these are icy cold, precise melody statements. Jimmy Page – “Stairway To Heaven”, “Since I have Been Loving You”.Wes Mongomery – “What’s New”, “Portrait of Jennie”.George Benson – “Breezin” & “This Masquerade”.Yes, you may have to practice a melody a LOT to find your “interpretation”.Įxamples, off the top of my head, of “lyrical melody playing”: So – imagine that you are playing LEAD guitar, melody only – and you have to pour your heart into a melody, bending strings, sliding – making it sing. You may need to get up (oh no I’m scared) past the 4th fret! There is a HUGE difference in playing a single line melody that makes people’s hearts sing vs “plunking out the notes.” When a melody is played by someone who is playing melody ONLY (forget about fingerstyle for a moment), it has to posses certain qualities: Please understand, I grew up on Jimmy Page guitar solos (when I had hair I wanted to be him) and later fell in love with George Benson – and Wes Montgomery – not to mention all the jazz greats (horn players, pianists, singers, etc) The New Age, Enlightened Way of Guitar Arranging In order to understand the way I approach arranging – you have to throw away this “jimmying melodies on top of the chord” idea completely!
If you have done this, you know what I am talking about. Most guitarists come out of a “chord” approach, which leads to picking patterns on the chord, and ultimately “jimmying” little melodies on top.įor example, if you are playing an open position C chord, you sooner or later mess around with lifting your first finger on & off the B string, or using your pinky on the high E string. Here’s one approach that I use, 90% of the time. I hope this gives you a little “AHA!” moment – to brighten your day.ĭisclaimer – there is always “more than one way to do it”. I get asked quite often about how I approach fingerstyle guitar arranging, and suddenly – this simple idea came to mind.
0 kommentar(er)
